Film Pan (2014) by Anton Ginzburg, explores the genealogy and interactions of reproduction technologies from 16mm film to video formats. It examines variations of the mechanical gaze and its disembodiment in relation to the architectural representation and historical context. The hybrid aura offers an interplay and reconsideration of temporal and spatial relationships.
52nd New York Film Festival at Lincoln Center /Projections
Program 13
October 5, 8:30pm
How to Make Money Religiously
Laure Prouvost, UK, 2014, DCP, 18m
Renaissance Center/GM Tower
Nicky Hamlyn, Canada/UK, 2012, 16mm, 5m
Sound of My Soul
Wojciech Bakowski, Poland, 2014, digital projection, 13m
Seven Signs that Mean Silence,
Sara Magenheimer, USA, 2013, digital projection, 11m
Horizon
Stephanie Barber, USA, 2014, digital projection, 3m
SONE S/S 2014: Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke /// Invisibility-cloaked hand gestures in offshore financial center jungle
Andrew Norman Wilson, USA, 2014, digital projection, 11m
Lorem ipsum 1
Victoria Fu, USA, 2013, DigiBeta, 13m
Pan
Anton Ginzburg, USA, 2014, 16mm, 6m